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Magazine, Science Fiction/Fantasy, Serial

[April 26, 1966] Inner Space, Romance and Religion Impulse and New Worlds, May 1966

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by Mark Yon

Scenes from England

Hello again!

Never let it be said that Science Fiction is always lightweight stuff. Both magazines are tackling big issues this month.

We’re back to fuzzy covers in this month's Impulse – don’t forget, “The NEW Science Fantasy”. It’s OK but not the best. It’s another Keith Roberts, more of which in a minute.

The Editorial this month has the Editor Kyril still meditating over the genre. Readers still like stories about other humans, he suggests – it is rare for humans to like stories that are truly alien – presumably a response to the Merril story started last month and concluding in this. (More later.)

To this month’s actual stories.

Seventh Moon , by John Rankine

A debut author, I think. When spaceship Interstellar Two-Nine goes missing on its approach to the ‘polite’ planet of Bromius, Dag Fletcher of the Inter-Galactic Organisation goes to investigate. With such a set-up, I suspect that this will become an ongoing series of some sort. It’s typical Space Opera and paradoxically remarkably mundane, even down to the repeated descriptions of how gorgeous all the women are, with the exception of the lead female character, who is deliberately annoying. 3 out of 5.

Pavane: Brother John, by Keith Roberts

In this third story from Roberts’ alternate History, where Elizabeth I was assassinated in 1588, we are given the chance to see the effect of religion upon this alternate life. As this is a world dominated by the Roman Catholic faith, it is an interesting perspective on what we have read so far.

Brother John is an Adhelmian monk who is given the task of recording, for the benefit of Rome, all stages in the proceedings of The Court of Father Hieronymous, Witchfinder in General to Pope John. He begins to dare to question the practices of the Church during a version of the Inquisition, and is so affected by what he sees that he begins to lead a revolt against the Church. The ending is rather enigmatic, in that in a crowd of acolytes Brother John experiences a vision showing an alternate future, a more positive one than that experienced by the masses. Leaving on a boat to Rome, the boat capsizes with no one to be found. This development of this series continues to impress.

Well, it’s taken a bit longer than it has in our world, but it seems that some sort of religious reformation is beginning. It’ll be interesting to see where this social upheaval leads, and I’ll read the next story to see if this idea evolves further. 4 out of 5.

The Pace That Kills by Alistair Bevan

From an alternative past to an alternate future, though from the same writer, because Alistair is actually Keith Roberts, who we have just read!

The two stories however couldn’t be more different. The Pace That Kills is evidently inspired by the newly introduced 70-miles-per-hour speed limit on Britain’s motorways. It is a world where this obsession with speed is taken to its limit. The government have politicized speed limits and uses black boxes in the vehicles to control speed in most people’s vehicles, but rebellious types adapt their vehicles, deliberately race each other and flagrantly ignore the limits.

Johnny Morris and his friend Tinker are witness to a seemingly fatal accident. They rescue a girl and meet the officious Masterwarden of Sector Twelve in West London, Horace J. Bigge. Afterwards, we discover that they work for Peter Hanssen, the leader of the Driver Party, for there is an ongoing political war between the Motorists, known as Drivers, and the Pedestrians, called Peds.

The survivor of the accident, Moira Alice Kelly, is taken to hospital, interrogated by Bigge and sentenced to torture and death. Despite Nanssen’s wishes, Morris and Tinker decide to attempt a rescue. It doesn’t go well, but Moira is released. Bigge is also captured and there follows a bizarre interrogation after which Bigge is set free, but dies by being run down on the road. Moira enthusiastically explains how she became a motor addict to Nanssen. They begin a relationship, only to find that Kelly is an undercover Warden. The story finished unconvincingly.

This is a really mixed-up story. Part adventure, part satire, in the end it is not a good example of either. It is generally uneven in pace and plot, veering between unsubtle satire and making a serious point. There’s a huge clumsy dollop of ‘telling’ the reader things in the middle as well.

Generally, things are usually ramped up to excess throughout this overlong story, which diminishes it overall. Difficult to believe that these two stories are from the same writer, which may be the point of the pseudonym. 2 out of 5.

The Run by Chris Priest

Something to freshen the palate a little now. This is a debut story in Impulse from someone who has made quite a name for himself through his critical comments in recent months – it was Chris that Kyril wrote an open letter response to in his editorial of Science Fantasy back in January. He is also currently a regular critic in the British Science Fiction Association’s in-house magazine, Vector.

With this in mind, it is interesting to read some of Chris’s fiction rather than his critical work. It is OK but nothing special. Senator Robbins, driving in his car, is summoned back to his base in an emergency. As he gets closer to the headquarters the journey becomes increasingly fraught as the road is surrounded by angry jeering teenagers known as Juvies.

Clearly tapping into the feeling of unease that many older people have about teenagers of today, the gist of the story is that the Juvies are going to take over the world, incite rioting and basically destroy law and order, and that this is the start of the revolution. There’s some nice touches, but the ending is annoyingly enigmatic. This is clearly a beginner’s work, but I’d be interested to see more of this from Chris. 3 out of 5.

Cry Martian, by Peter L Cave

A story of little Timmy who tells his mother that he has found a Martian camp whilst playing out in the woods. The twist in this brief story is that he is on Mars. Short but fairly effective, if forgettable.
3 out of 5.

Homecalling (Part 2 of 2) by Judith Merril

Back to the second and final part of Judith Merril’s story. Last time we found nine-year old Dee and her younger brother Petey stranded on a planet and taken in by the insect-like Lady Daydanda.

In this second part we read of further attempts to communicate and understand each other. Dee learns to translate the thoughts Daydanda is telepathically putting in her head. In return, Daydanda learns more about the humans. When Dee and Petey return to their rocket, Dee allows one of Daydanda’s sons to enter the burned-out spaceship with them, and through the son Daydanda can communicate further. She discovers what ‘machines’ are, that the place they are in is ‘a spaceship’ and that it can travel to places beyond their world.

Daydanda’s concern for the children and willingness to care for them is made more difficult by Dee’s seemingly illogical desire to be with her Mother. The aliens eventually are allowed access to the cockpit where both of her parents are dead, and much of the last part of the story shows us Daydanda’s logical, if erroneous, reasoning for why Dee does not want to see her Mother dead in the Spaceship. Intriguingly, the ending feels rather creepy, although I suspect the idea is meant to be a happy one, where Petey and Dee are willingly left in the presence of the Mother – for now.

As I said last month, even though there are issues of this being a reprint, it is a great story. Merril’s description of the aliens, and the thought processes they go through to make their decisions and choices is wonderful – but, of course, really it is the humans who are the aliens. 4 out of 5.

Summing up Impulse

Mainly novellas again this month. The Merril finishes well, and may be the best thing in the magazine, although I am still annoyed about it being a reprint. I continued to enjoy the Pavane series, although I know that it is not for everyone and this latest installment will not change that view, I’m afraid. It’s intriguing to read Chris Priest’s fiction as opposed to his letter-writing. But then we have what even Kyril referred to last month as “typically Bonfiglioni space-fillers”.

I’m almost tempted to add the Rankine here as one, though that may be uncharitable. It’s OK, if just… boring. The Cave story Cry Martian tells us an old trope in a new way – but nothing new, there. However, The Pace that Kills is just awful. I suspect it has been there a while waiting to be used as “space-filler”.

So: a mixture of good and bad this month, leading to a lower-than-average, certainly of late, issue. With the dominance of new Associate Editor Keith Roberts this month, this may be a little worrying.

Onto this month’s New Worlds

The Second Issue At Hand

In contrast to Impulse, Mike Moorcock has opted for shorter stories with more variety this month. He’s also promised to tackle that perennial (and most touchy!) topic of religion.

In the Editorial, Moorcock warms up by tackling the topic of the supernatural. He refers to a new book about it, quoting its point that the supernatural may be connected to the natural, or normal, in a person’s mind, and that Ballard and Philip K. Dick write about this in different ways. The final paragraphs suggest we should see more sf incorporating drugs to explore this new territory.

My issue with this is that you may need to take drugs to understand such stories. As I don’t partake – beyond the odd cup of tea! – such stories tend to leave me cold.

And talking of stories, to the stories!

Illustration by James Cawthorn

Pilot Plant by Bob Shaw

Here’s the welcome return of Bob Shaw, last seen in these pages back in October 1965 with …And Isles Where Good Men Lie.

Whilst involved in an aeroplane test flight accident, aerospace engineer Tony Garnett hears a voice say, “Get me out of here Xoanon.” When he is recovering in hospital, he tries to work out who Xoanon is and where the voice came from. He contacts his deputy Ian Dermott to cancel the firm’s current project, a flying wing for civil aviation. Four months later, Garnett is back to work but finds that, despite his wishes, work has been continued in secret. His attempt to meet a worker involved in the project is unsuccessful – the man faints – but Garnett finds that the poor unconscious worker has recently been sent away on a special training course.

He takes his nurse Janice Vickers away on a weekend but really goes to find the place in Harlech, Wales, where this training course has been held. As Garnett gets near he realises he has been there before but has strangely forgotten about it. The date with Janice doesn’t go well, and Garnett ends up in Janice’s chalet whilst she ends up in his. This is a fatal mistake, as during the night there is an explosion in Garnett’s chalet where he would have been sleeping and Janice dies. The last words she mumbles to Tony are also about Xoanon.

Things now get stranger. Garnett is told by the police that the explosion was caused by a meteorite strike. After being interrogated by the police Garnett returns to the factory where he is told that a wing is being built for a customer by the name of Xoanon, who is one of a group of extraterrestrials. They wish to use the wing to collect something lost off the coast of Wales.

Dermott tells Tony that he has been manipulated by Xoanon from the start, but the accident meant that a metal plate was put in his skull which broke the contact between him and Xoanon. Garnett is shot by Dermott. Surviving this, Tony captures a test plane about to take off and attempts to rendezvous with Xoanon’s spaceship hidden in the upper atmosphere.

Tony meets Xoanon, who in Bond-villain fashion explains all to Garnett. Garnett also meets Janice again, because – surprise, surprise! – she wasn’t killed, but is now in the body of an alien. Tony decides not to return to Earth.

It’s good to see Bob back, but this is relatively mediocre stuff. The setting’s good, the prose too, but the plot got wilder and wilder until it lost credibility for me. The ending is particularly weak, as there are elements seemingly key to the plot that are not explained – do the aliens retrieve their device? – and the abrupt end of the story means that we do not find what happens next.

I think Bob’s trying to write a contemporary thriller with a science-fictional element, but it didn’t quite work. 3 out of 5.

The Ultimate Artist, by Richard A. Gordon

We’ve met Gordon before with his story A Question of Culture back in Science Fantasy in December 1965. We’re treading similar ideas here, as this story is about what happens when an Artist named Zacharias decides to retire. The story is told by a narrator who has spent much of their life following Zacharias as he travels across the galaxy. When Zacharias performs for the last time, there are consequences for the narrator.

There’s some nice descriptions of what it is like to be enraptured by a performance. It is about the joy of the experience and fan-worship. Rather like seeing The Beatles or The Rolling Stones as they retire, I guess. 3 out of 5.

Rumpelstiltskin, by Daphne Castell

Daphne has been popping up with some regularity in New Worlds of late. This time she retells the old fairytale of a princess locked away in a tower from the perspective of Rumpelstiltskin. Well written but not really memorable. 3 out of 5.


Illustration by James Cawthorn

Unification Day, by George Collyn

George Collyn was last seen in last month’s issue waxing lyrical over the work of Kurt Vonnegut. Here we’re seeing his fiction. I quite liked the set-up of this one, in an alternate history where Britain has been unified with France. This is emphasised by the point that although the story is set in Scotland, there’s lots of wine, pastries and Camembert around!

The narrator tells us of what happens when he and his wife go to stay with his posher brother-in-law for the celebrations of the 150th anniversary of Unification Day. As the narrator is an advovate of English Home Rule and the brother-in-law is a Francophile, as you might expect it doesn’t go well. Much of the story here shows us how the British are treated as underdogs and lesser citizens, how the language is down-graded in society and British culture is derided. The consequence of this is the story-teller is determined to continue his fight in the future. An interesting version of the traditional Scottish – English independence debate, which makes valid points, but then doesn’t seem to go anywhere. 3 out of 5.

Secret Weapon by E. C. Tubb

The return of an old-school regular. Students from different planets begin at an Earth academy. Armitage is an unpleasant student who finds it difficult to fit in, and reacts violently to what he sees. He graduates – eventually. However, the reason for his behaviour is revealed at the end of the story.

This is a story with an almost Heinlein-like tone, which may wrongfoot the reader. It doesn’t show humans in a good light, though. Nicely written, even if it is a one-trick kind of tale. 3 out of 5.

Fountaineer, by David Newton

This month’s lyrical story, about a fountain in a village in Italy and its creator. Lots of lush prose which otherwise has little point. 3 out of 5.


Illustration by Douthwaite

Fifth Person Singular, by Peter Tate

A story of awareness from different perspectives. An alien shows us his perception of his world. When he meets Ahn, he then discovers that there is more than one way of looking at things. Appropriately inner space, this one. A romance that takes navel-gazing to another dimension. 3 out of 5.

A Man Like Prometheus, by Bob Parkinson

A more typical romance story now. A space pioneer returns from “Out There” to meet Rosamund, his Earthbound love, after their careers and a genetic disorder have kept them apart. I like what the writer is trying to do here – romance in a SCIENCE FICTION magazine?! The problem is that it’s not that well done and comes across as somewhat mawkish and maudlin. 3 out of 5.


Illustration by Douthwaite

Girl, by Michael Butterworth

A person visits an old barn filled with ancient and decaying artifacts. Lots of descriptions of things in a dream-like state. The twist in the tale is that this story is after some sort of an apocalypse which they have caused. Lots of lyrical allegory which tries to mean more than it does. 3 out of 5.

Clean Slate, by Ralph Nicholas

Stranded, John Sumpter attempts to fix a broken-down spaceship without help or spare parts. It seems impossible. Expecting the end, Sumpter and his friend Orlando swap tales about their pasts. They experience some kind of cosmic event, which allows them to fix their ship and go home. Unconvincing. 3 out of 5.

A Different Kick – Or How to Get High Without Going into Orbit, by John Brunner

After last month’s strange serial, here’s John Brunner in non-fiction mode. This is an abridged transcript of an address given by Brunner at the London Worldcon last year. It was mentioned by both editors after the event as a landmark speech and caused a bit of a stir at the Worldcon, I gather. I assume for that reason it is given here.

Reading it, I can see why. Brunner examines what sf readers like and don’t like about non-sf novels, and how non-sf writers have managed to be successful in the genre. It’s well thought out and makes valid points using lots of references to different author’s work. At the end Brunner echoes Moorcock’s ideas that sf needs to move away from its pulp origins and be something new and different if it is to inspire and succeed in the future. A “Look forward, not back” kinda thing. It is well done, but is nothing new to regular readers.

Letters and Book Reviews

Assistant Editor Langdon Jones tackles one book in depth this month – Dreams and Dreaming by Norman MacKenzie. The reason given for this is that it gives the reader an insight into Fantasy writing by explaining the workings of the inner mind. Really though it seems to be a justification for all those stories we are currently reading about visions and dream-states – there’s some in this month’s issue, for example.

James Colvin (aka Mike Moorcock, don’t forget!) covers a number of story collections in some detail. The Best from Fantasy & SF Volumes 11 and 13 come out of this dissection pretty well, although Colvin feels that Volume 11 is better than Volume 13. By contrast, Lloyd Biggle’s All the Colours of Darkness is “a weary book”. Walter M Miller’s Conditionally Human collects three “above average” novellas from the fifties. Daniel F Galouye’s latest, The Lost Perception, is “unsuccessful”.

After being absent for a while, the Letters pages this month are very entertaining, as Moorcock answers criticism of his "attack" on religion in his Editorial of Issue 158 (January 1966). Too long to quote, but the responses on both sides are fulsome and interesting.

Summing up New Worlds

Once again Moorcock has gone for breadth rather than depth here this month. This means that there’s more to like and the range of material is good, but overall the issue feels a little underwhelming. The much-vaunted Bob Shaw story disappointed, for example. There’s nothing here that is not entertaining, but at the same time there’s not a lot here worth remembering.

Summing up overall

Once again, we have the two magazines showing different aspects of the genre. Whereas Impulse has gone for less stories and more depth, New Worlds impresses with its range.

This makes the choice difficult in that we are rather comparing oranges with apples. It also doesn’t help that neither magazine truly impresses this month. They are not bad, it is just that we’ve had better from both editors. Each issue has its own disappointment.

In the end I’ve opted for Impulse as the better, although I could easily see other readers opt for New Worlds, for the reasons I have given above.

With all this talk of religion, I see the title of John Baxter's novel in next month's New Worlds with a certain degree of irony…

Should be interesting! Until the next…



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Conventions/Performances, Magazine, Science Fiction/Fantasy, Serial

[November 26, 1965] Plagues and Unicorns Science Fantasy and New Worlds, December 1965

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by Mark Yon

Scenes from England

Hello again!

The issue that arrived first in the post this month was Science Fantasy..

However, the incredibly cheap looking cover did not bode well. I reckon the thankfully-unnamed artist put this together at the end of a spare five minutes. But it is in colour.

This month’s Editorial, like that in New Worlds, is a report on the Worldcon held in London in August. Such is the delay in publishing. Perhaps this is what absentee-editor Kyril has been working on over his two months of absence?

As you might perhaps expect for such a prestigious event – it is only the second time that the Worldcon has been held in England, after all – the comments are generally positive. What is interesting about Kyril’s report is that not having attended one before he is seeing the event with fresh eyes. It is also interesting that much of what happens is not the Worldcon itself – Kyril’s mention of a meeting in Oxford with the likes of Messers. Aldiss, Ballard, Blish and Harrison made me quite envious. Oh, to be a fly on the wall there!

It is clear that such social gatherings have paid off- not only is there going to be an “all-star issue” in the near future, expect more writing from Judith Merrill in both Science Fantasy and New Worlds. Think of that as an early Christmas present.

Kyril’s also been persuaded to have a change of heart and include story ratings, although it must be said in a different way to New Worlds. Here are the ratings for Issue 76 (September 1965) and 77 (October 1965):

To the actual stories.

Plague from Space , by Harry Harrison

And where to start the gap left by Burnett Swann’s serial finishing last month? With another serial, this time from Harry Harrison.

I must admit that I was a little wary, having being underwhelmed by Harry’s most recent serial, that of Bill, the Galactic Hero in New Worlds. This one seems to tread on ground less satirical and more like Harry’s recent novel, Deathworld, which is even referenced in the serial’s banner heading.

A typical science-fiction catastrophe story, it is perhaps unusual to be the lead story in Science Fantasy. Whilst it is entertaining enough – and I found it to be more interesting than the tale of ol’ Bill – it’s sf for the masses, a story that wouldn’t be amiss in a Hammer horror movie. Anyone who remembers the Quatermass television series and movies will know what they’re getting here. It is easy to read and undeniably well-written, but I can see why it is in Science Fantasy and not New Worlds. New Worlds is rapidly outgrowing such dated material. 4 out of 5.

As Others See Us, by E. C. Tubb

Another regular veteran of both magazines, last seen in the October 1965 issue with State of Mind.  This is the story of Mark, who on finding a strange object in the sea, puts it on to wear and finds that it gives him the power of telepathy. The author clearly tries to be lyrical in the telling of the tale, and there’s a lot of introverted navel-gazing at the beginning about the sea, counterpointed by an almost Lovecraftian, weak ending as Mark returns to the sea. 3 out of 5.

A Question of Culture, by Richard A. Gordon

And this is also the return of someone we read last month, with Time’s Fool in New Worlds. Now with an added ‘A’ (presumably to avoid confusion with the more famous writer of the non-genre Doctor books), Richard’s story this month is about a future where men have to have a yearly examination about ‘Kulture’ at the offices of the Aesthetics Council in the National Gallery. Being tested on music, art and literature has dire consequences should Mr. Henry Shepherd fail – a visit to the Cultural Realignment Centre. There’s a point in there about what negative impact the forcing of culture could have upon the general public, and an impressive diatribe from Henry to illustrate the point. I found the thought of the National Gallery being used as some sort of examination centre a little amusing, but overall, it’s an extrapolation taken to rather silly extremes. 3 out of 5.

Democratic Autocracy, by Ernest Hill

Another veteran. This story is a political one. Child Manaton is Minister of Health in some future state in the 41st century, the man entrusted with ‘Eradication’ – a simple, hygienic way of disposing of those who are old or crippled or unable to provide a service to the State. He takes to his work enthusiastically, embodying Jeremy Bentham’s ideas of population control for the greater good, but has a personal crisis when his mistress Lilith finds herself genito-revulsive and therefore a candidate for Eradication. Rather than send her to the Cylinder for execution, Manaton persuades scientists to look for a cure for Lilith instead. The public, realising the unfairness of it all, revolt (Democratic Autocracy, see?), which has consequences for Manaton and Lilith. The story reads well enough, although it has a tendency to over-sell its own importance. 3 out of 5.

Cleaner than Clean, by R. W. Mackelworth

A  story about a man working for the Public Works Department, who has to deal with what seems to be a light-hearted protest about some man’s drains, but which eventually leads to events which are more sinister. The cause of this issue is (believe it or not) a ‘secret ingredient’ in a new brand of washing detergent. It is an unusual style for Mackelworth, whose material tends to deal with more weighty matters. This one wobbles between humour and horror and finishes weakly. In the end, this is inconsequential stuff. 3 out of 5.

Passenger, by Alan Burns

We’ve met Alan Burns before, with the strange story of Housel (in the May 1965 issue). This one is just as strange, but poorly executed. Rankin ‘Rank’ Quayle meets friend and work colleague Cilla O Dare (nicknamed ‘Killer’ – the second story this month with such a nickname) before setting on a caper. It sounds a little like a traditional crime story, but as this is science fiction, Killer is a ‘sensitive’, with telepathic powers and Rank is the muscle guy.

Together they work for Handley, hunting shapeshifting aliens. When they go to meet Handley at his workplace, Killer faints, thus clearly foretelling that nasty things are happening at Handley’s factory. The twist in the story is that – gasp- Killer is not who she appears to be and is actually a human being used to transport an alien in their body, as is Handley, who is really an alien leader. In order to save O Dare, Quayle agrees to transfer the alien from her to himself, but in the end betrays them and foils an alien invasion.

Even if that precis didn’t make you squirm, the story is a mess, filled with errors and poor punctuation, as well as long stretches of exposition that do little to keep the reader engaged. It all reads as bad space opera of the “one bound and he was free” type that we left long ago. I thought that as a new writer Burns had potential with Housel, but it seems he may have reached his peak already. 2 out of 5.

Summing up Science Fantasy

This is an issue that plays safe – lots of the regular writers from the British magazines, producing fairly typical and totally expected material. Even the serial story panders to the predictable. It’s a reasonable issue, with some variety, but there’s nothing here that I found particularly memorable. Overall, it feels like a half-hearted effort by Kyril, just back off his holiday. When the most interesting read is the Editorial, it doesn’t exactly sell itself to me.

Onto this month’s New Worlds!

The Second Issue At Hand

After an uninspiring Science Fantasy issue, I was hoping for better with the arrival of New Worlds. However, the cover seems to be an inferior attempt to replicate Jackson Pollock’s abstract expressionism – and whilst refusing to call it “a load of Pollocks”, it hardly makes me want to pick up and read the magazine. It makes me think I’ve spilt something on the cover! But I’ll try and be nice – at least, as with the Science Fantasy, it is in colour.

Like Kyril’s efforts, this month’s editorial from Mike Moorcock praises Worldcon and adds a few more gossipy details to Kyril’s version of events. There was what sounds like an interesting ‘discussion’ on one of the panels between John W Campbell and John Brunner about politics in science fiction, with Campbell doing what he seems to do and taking a view designed to stir up debate – in this case, that slavery is acceptable as a reasonable system of government in science fiction. It does sound like it was fun!

Secondly, Moorcock heralds the arrival of the second issue of a new critical magazine, Science Fiction Horizons, which is so positive that it reads as if Moorcock would rather be there than here – to quote, “SF Horizons [is] still the most stimulating magazine of its kind ever to appear in the sf world.” But then that might be just because there is an interview with William Burroughs in the issue, someone who Moorcock clearly rates as an influence.

To the stories!

The Wrecks of Time (Part 2 of 3)), by James Colvin

Straight into the second part of this entertaining serial. If you remember from last time, this was a story of multiple Earths with a rambunctious hero by the name of Professor Faustaff. With his faithful assistants, Faustaff takes on his nemesis Herr Steifflomeis and the nefarious D-Squad, who for reasons initially unknown seem determined to attack Faustaff’s teams and cause chaos, destroying alternate Earths by creating Unstable Matter Situations (UMSs).

This time, Faustaff begins by being held at gunpoint by Steifflomeis and then held captive by a new adversary, Cardinal Orelli, who appears in a helicopter and takes Faustaff and Steifflomeis away to his camp. Upon taking Faustaff we discover two things – that Orelli has a disruptor weapon that he is clearly not afraid to use and, secondly, two of the D-Men is some form of suspended animation from which Orelli cannot wake them. They travel with the D-Squaders to Earth-4, where Orelli’s headquarters is in a deserted Gothic style church. With the laboratory equipment there it is hoped that Faustaff can revive the D-men, although he actually finds in a shock revelation that they are robots, the creation of some race from beyond the multiple Earths.

Suddenly Faustaff ends up back at his base on Earth One and is reunited with his team. They tell him that a new Earth – called hereafter Earth-Zero – is currently being created by an unknown intelligence. An expedition to destroy Orelli’s headquarters on E4 is organised, but at the same time a crisis has developed on E1 that develops into a War between East and West. Faustaff meets again the oddly emotionless Maggy White from E3, who tries to persuade him to give up his actions and explains some of the bigger picture.

When nuclear war is declared, Faustaff, his colleagues Gordon Ogg, Doctor May and John Mahon and his friend Nancy Hunt travel to E3, from where they hope to gain access to E-Zero and set up a new headquarters there. Lots of things then seem to happen quickly. Multiple Earths are destroyed. Orelli reappears in a base on E3 and Faustaff and his colleagues go to meet him again. Steifflomeis also then reappears. All of them are then transported together to Earth Zero for another sudden ending.

Gun-toting Cardinals, emotionless femme-fatales and snarling adversaries, this serial is still a lot of fast-paced fun. However, as much as I enjoyed this, I didn’t enjoy it quite as much as last month. The general impression is that there’s a lot of running about and the latter part of the story in particular is very talkative, with Faustaff seemingly spending much of it speaking to other characters. There’s a lot of enthusiasm here, but in the end it all felt a bit-one note and consequently quite wearying by the end with its relentless energy. It is very much a middle part of a story, with little resolved. Anyone wandering into this part having not read the first may be rather confused by what is going on, although I suspect that that is partly the point. However, lots of running around and incessant talking makes this 3 out of 5.

Transient, by Langdon Jones

For the second time in two months the second story of the issue is by Moorcock’s second-in-command. (There’s some weird numerology thing going on there…) I liked last month’s story overall, but I think this month’s titular tale is better.

The start of the story is about a man who seems to die but then wakes up in a hospital wondering where he is.

Actually… we discover that the narrator is not a man but a chimpanzee who has had his consciousness raised to the level of a man, so much so that he is able to hold a conversation with his Doctor. Immediately this made me think of Daniel Keyes’ excellent A Flower for Algernon, but the difference here is that the chimpanzee understands that he is going to begin to lose his uplifted abilities after two hours, and his knowing that he is losing his faculties in a few pages is both terrifying and very sad. Good as Transient is, it is sub-Keyes in quality. 4 out of 5.

J Is for Jeanne, by E. C. Tubb

The second story from this regular veteran this month. It’s been a while since we’ve had an author in both issues in a month, isn’t it? This one is different in style from As Others See Us, as it begins with Jeanne (of the title) telling of a repeating nightmare she has to Paul. They go to see Carl, who seems to be a psychologist. There’s lots of discussion of different types of psychological theory to suggest what the dream might be about – the author has clearly done to some research and wishes the reader to know that! – before the reason for this dream is revealed. It is a twist in the ending that’s not really original but I suspect one that Philip K Dick would like. I was less impressed. 3 out of 5.


A grumpy Jerry Cornelius. Illustration by Douthwaite

Further Information, by Michael Moorcock

This is another – the second – in Moorcock’s now seemingly ongoing series of Jerry Cornelius stories, who we first met back in the August 1965 issue with Preliminary Information. And as seems to be the norm now, we are dropped into the story without any knowledge of characters or what is going on. Cornelius, with his assistant Miss Brunner and some others, arrive at a house that used to belong to Jerry’s father (‘Old Cornelius’) but is now owned by his brother Frank. Jerry wants some secret microfilm in the house’s cellar, but Frank does not seem happy to see Jerry, as their attempt to enter the house involve all manner of weapons being exchanged, including hallucinogenic gas, needle guns and nerve bombs, with the expected results. Jerry also tries to retrieve Catherine, but is less successful. It’s all rather frantic and even mystifying but I suspect that that is the point. If readers didn’t realise before now, then the similarity in writing between this story and Colvin’s serial seems pretty obvious to me here.

As enjoyable as this was, putting two similar stories together in one issue may either be too much of a good thing or reflect a hint of desperation to fill the pages on the Editor’s part. 3 out of 5.

Dance of the Cats, by Joseph Green

In the January 1965 issue of New Worlds Joseph introduced us to Silva de Fonseca and Aaron Gunderson, two film makers who travel to different planets to record anthropological customs and culture. This time they are to travel to Epsilon Eridani Two, where they hope to record a legendary dance performed by the cat-like residents known throughout the galaxy. There’s a story to be told of dominant sexy cat-leaders and telepathic subservient dogs here – yes, it really is a story of cats and dogs! – which has a surprisingly dark element to it. The hypnotic element of the dance being recorded leads to Aaron joining in a mass orgy, which afterwards he shamefully feels could be seen as rape. There’s also a sub-plot involving the attempted abduction of the dance troupe by playboy Danyel Burkhalter, who hopes to force them to join his father’s circus. A story that tries to mix light-hearted humour with weightier themes, which although well-written, doesn’t quite succeed for me. 3 out of 5.


Illustration by James Cawthorn, which sums up the story quite nicely!

To Possess in Reality, by David Newton

This is a story that begins like a fantasy story, with princes, princesses and unicorns, but then takes a sudden left turn into science fiction with the arrival of Xavier, a starship pilot and salvager. Upon Xavier’s leaving of Fairyland, through use of the macrocosmic Hyperdrive, he inadvertently takes with him a lovestruck Prince and a virginal Princess and returns to Earth, which is a war zone. A visit afterwards to the inevitable Company Psychotelepath leads to a decision that needs to made by Xavier. One of the wackiest stories I’ve recently read, but quite good fun in its send-up of Fantasy themes. 3 out of 5.

A Mind of my Own, by Robert Cheetham

This is a menage a trois tale, the story of what happens when a strapping young half on an expeditionary pair named Mike meets and falls in love with young Juline. The complication is that Mike’s other half of the pair is a telepathic Sensitive who falls in love with Juline as well. Short yet competent. 3 out of 5.

Ernie, by Colin R. Fry

A story of an unnamed rocketman on Mars who gambles in a casino, loses all his money and then is offered a job as an overseer in an etherium mine on the Moon. The work is tough and violent. He meets Pete and Ernie, two of a group of mutant dwarves (yes, really!) working in the mines. It is dangerous work, and Ernie is involved in an accident which blinds him. As a result, the storyteller has to sack Ernie, albeit reluctantly as he can no longer work in the mines. Ernie, led by Pete, manages to escape the mine, which leads to strike action and a knife-fight between some of the miners. The ending is abrupt and rather unconvincing. I was left wondering what the actual point of this story was. Is it a story designed to shock? (It didn’t.) Was it to bring to light the point that in the future slave mines may exist, even on the moon? If so, it is a point emphasised rather bluntly – it is said, for example, that the unnamed lead character is not averse to using a whip, if he has to. But it all seems a bit depressing and pointless to me. 2 out of 5.

Book Reviews, Peristyle and Letters

This month’s Book Reviews may be lacking in the breadth of last month’s reviews, but we do have some depth. Langdon Jones gives a more-than-three-pages review of Ray Bradbury’s Dandelion Wine. Daring to go against the opinion of his Editor-in-chief, Mike Moorcock, Langdon Jones likes it a lot, going so far as to say that it is one of Bradbury’s best. Sentimental, admittedly, and steeped in nostalgia, but “a curiously heady brew” of connected short stories.

There is a briefer review by R. M. Bennett of Eric Frank Russell’s story collection, Somewhere A Voice, which is praised for its versatility and that it is generally an above average collection, although the reviewer is left with a feeling that the author can do better.

Onto Dr. Peristyle (Brian Aldiss) this month. It’s quite short, but brilliantly acerbic. I like these retorts to the science fiction community, but I’m not entirely sure Dr. Peristyle’s sojourn from the pages of the BSFA journal have been entirely successful here. Nevertheless, this month has intriguing responses to questions such as: “Do you believe a science fiction convention advances the cause of science fiction?”

In the letters pages there is comment made on the dichotomy created by Brian Aldiss’s writing (does the respondent know about Dr. Peristyle, I wonder?), a congratulatory agreement for the attempt to broaden the science fiction genre, and praise for Harry Harrison’s recent serial, Bill the Galactic Hero, which you may know that I disagreed with.

Summing up New Worlds

An issue of highs and lows. Langdon Jones’s story is memorable but based around an old theme, whilst the Colvin/Moorcock tale is surprisingly less impressive – I am starting to feel that this is one of those stories that starts with a great idea but fails to reach its potential. Moorcock’s other story was interesting, but too similar to the Colvin for me to fully enjoy it. Joseph Green’s tale was marvellously silly, but the rest are determinedly unmemorable. The predominance of Moorcock’s writings should have meant that I liked the issue more than I did, but I remain curiously unmoved on the whole.

Summing up overall

Well, I wasn’t expecting to say this month that not just one but both issues reviewed are surprisingly rather disappointing. There’s nothing really wrong with them, but I feel rather deflated after reading them. This may be that the Editors were too busy at the Worldcon to spend as much time on the issues as they normally do, or there’s something else amiss behind the scenes. But neither issue is a winner this month, frankly. If I had to pick ‘a winner’, it probably would be New Worlds – but only just.

Now that you have celebrated that event known as Thanksgiving (and we have had Bonfire Night here in Britain), we’re now on the countdown to Christmas. The shops are open, and the trees are blazing with light… I’m starting to get quite excited (albeit in that typically understated British manner!) and New Worlds are trying to make me spend money in the nicest possible way:

Until the next…



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